The purpose of a sketch a day is just to do it - sketch! It doesn't matter if it is an involved sketch or if it is a simple contour or gesture drawing. There are no rules except to sketch each day.
Life parameters can dictate the time investment, but a sketch a day commitment is designed to elevate the personal priority of sketching ... to enforce sketching. Making it into a "resolution" validates the activity (invests it with a bit of a challenge even!) and defends against competing demands. The sketch a day is designed for practice - to reinforce basic skills, and to provide daily contemplation on the issues of two dimensional representation.
Several of us are doing a sketch a day, and I would enjoy hearing from anyone else who decides to join in. We share our efforts, support each other, keep each other honest and... hopefully we'll have some fun doing this!
Click on any of the sketches to enlarge...
and don't forget to check out older posts!
Life parameters can dictate the time investment, but a sketch a day commitment is designed to elevate the personal priority of sketching ... to enforce sketching. Making it into a "resolution" validates the activity (invests it with a bit of a challenge even!) and defends against competing demands. The sketch a day is designed for practice - to reinforce basic skills, and to provide daily contemplation on the issues of two dimensional representation.
Several of us are doing a sketch a day, and I would enjoy hearing from anyone else who decides to join in. We share our efforts, support each other, keep each other honest and... hopefully we'll have some fun doing this!
Click on any of the sketches to enlarge...
and don't forget to check out older posts!
Showing posts with label stinky fish. Show all posts
Showing posts with label stinky fish. Show all posts
Saturday, November 5, 2011
November 2, 2011
Well, tonight's drawing produced one of my "stinky fish". Too many people kept crowding into my space, annoying each other and me, the phone kept ringing, people arrived, despite saying "don't move those carrots" they got moved. And again. I got impatient (Knowing there wasn't a chance I'd find any "zone" tonight), and just scribbled... I even lost track of which carrot was where and scribbled the shading on the paper all wrong and had to go back in and just outline them sharply! Frankly, I was just getting it done. I suppose there will be nights like that...
Thursday, September 22, 2011
September 21, 2011
Well, I knew I should have abandoned this start - and my one consolation is that I was right! I worked on it a bit more, and the main positive thing I got out of it was practice experimenting with things that are soft and out of focus. Still, I could tell that no matter what I did to it I wasn't ever going to like it (the true definition of a bad start) so I decided to use it to experiment with oil pastels since I found a box in the basement and I haven't used them before.
That was also a bad move, since I discovered that a single mark with even a very pale yellow oil pastel could pick up graphite from a very lightly shaded area and turn it into a black mark! See the bright yellow half way up on the right with the black slash under it? That black slash is actually bright yellow on very pale shading... Ooo! Just what I was looking for! Random black marks! So - I took the oil pastels and squiggled here and there just to see how far I had to stay from the shading to avoid picking some up, how little it took, what happens if I went from clear areas into shaded areas, and so on. I even took a very pale yellow and moved it around some in the shading along the right edge to see if I could wring some effect out of the combination that might be useful in any way. It doesn't seem likely.
So - I learned not to use graphite to sketch when I expect to follow with oil pastels, and to listen to myself when I suspect I should just abandon a bad start to the wretched place all bad starts go...
That was also a bad move, since I discovered that a single mark with even a very pale yellow oil pastel could pick up graphite from a very lightly shaded area and turn it into a black mark! See the bright yellow half way up on the right with the black slash under it? That black slash is actually bright yellow on very pale shading... Ooo! Just what I was looking for! Random black marks! So - I took the oil pastels and squiggled here and there just to see how far I had to stay from the shading to avoid picking some up, how little it took, what happens if I went from clear areas into shaded areas, and so on. I even took a very pale yellow and moved it around some in the shading along the right edge to see if I could wring some effect out of the combination that might be useful in any way. It doesn't seem likely.
So - I learned not to use graphite to sketch when I expect to follow with oil pastels, and to listen to myself when I suspect I should just abandon a bad start to the wretched place all bad starts go...
Sunday, August 28, 2011
August 26, 2011
When I do a drawing I don't think much of, I think of it as one of my "stinky fish". When I saw this stinky fish lying on the beach, I knew I had to try to draw it as a joke on myself - and as a reminder that, well, stinky fish happen to everyone now and then...
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