The purpose of a sketch a day is just to do it - sketch! It doesn't matter if it is an involved sketch or if it is a simple contour or gesture drawing. There are no rules except to sketch each day.

Life parameters can dictate the time investment, but a sketch a day commitment is designed to elevate the personal priority of sketching ... to enforce sketching. Making it into a "resolution" validates the activity (invests it with a bit of a challenge even!) and defends against competing demands. The sketch a day is designed for practice - to reinforce basic skills, and to provide daily contemplation on the issues of two dimensional representation.

Several of us are doing a sketch a day, and I would enjoy hearing from anyone else who decides to join in. We share our efforts, support each other, keep each other honest and... hopefully we'll have some fun doing this!

Click on any of the sketches to enlarge...
and don't forget to check out older posts!


Sunday, October 16, 2011

October 15, 2011

    This is a blind contour of a mixer... or a partial blind contour. I did look at the paper a couple of times... mainly to move from the mixer to the bowl, to put my pencil in a starter position for the shadow behind the bowl, and to move from there to the start point for the egg and vanilla pair. Working in the kitchen, "heart of the house", I matched those moves up with the interruptions that caused me to forget where I was or else I'd have had to look over and over again! 
    I decided to do a blind contour because I only had fifteen minutes to spend on a drawing tonight, and you can spend that little time on a blind contour or you can spend twice that. My son was ribbing me that "it's the 'I only have fifteen minutes and I don't want it to look like I spent a lot of time on it' drawing"... well, yes and no. Yes, you can do something in fifteen minutes, and yes it doesn't look like you spent a lot of time on it! But... it wouldn't be a waste to do several blind contours in a sitting, or to do them more frequently. 
    I find that when I'm doing standard drawings I sometimes move my hand back and forth without touching the paper to help judge how long a line should be... how large a space is. There is some connection between your visual processing and your kinaesthetic processing so that the hand movement provides feedback concerning translating seen objects into drawn objects, and that is the connection I believe blind contour drawing tends to strengthen. Standard, constantly-checking drawing strengthens it also, but blind contour drawing provides a slightly altered feedback that's useful and interesting. 
    The same son suggested I might be describing something akin to what is referred to as "muscle memory" - and perhaps so. If you see the distance is this long, you draw it with a hand movement/pencil stroke of this length, and your visual check confirms it looks right, then an association is strengthened. If your visual check finds the results unsatisfactory then the association weakens and is corrected. Your hand starts to become a more active participant in the collaboration. 

    And a blind contour only takes fifteen minutes to do!

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